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22. 12. 2025
Love, Loss, and the Liminal: Revisiting Badnam Basti as India’s First Queer Film →
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20. 11. 2025
Don’t Believe in Monuments: Jiří Weiss’s Justice for Selvin (1968) →
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14. 11. 2025
Films by Josef Škvorecký, 1960s →
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23. 10. 2025
People, the passage of time and returns in the worlds of Tomáš Vorel →
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6. 10. 2025
Voskovec and Werich in the service of the United States Government →
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28. 8. 2025
War documentaries by Jiří Weiss →
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7. 7. 2025
‘Amateurs, make yourselves heard!’ About the history of the Prague Pathé Club an ... →
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28. 3. 2025
What Happened in Czech Audiovisual Industry in 2024 →
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17. 2. 2025
Kristian – just for today? →
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6. 2. 2025
“You are doing a great job, but the people are not happy.” Criticism of socialis ... →
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6. 1. 2025
Extraordinary Fascism: Genre and Politics in Tomorrow I’ll Wake Up and Scald Mys ... →
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18. 10. 2024
Singing in First Republic film operettas →
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26. 9. 2024
How to make comedy? Oldřich Lipský and his films →
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16. 5. 2024
Jiří Suchý as a film director →
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15. 4. 2024
The poetics of František Vláčil’s documentary films →
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19. 2. 2024
Václav Táborský on the track of everydayness →
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16. 1. 2024
Reflecting national trauma: The Second World War in Czech feature film 1945-1948 →
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20. 12. 2023
Anny Ondráková and Hitchcock →
