Interviews
14. 1. 2025
Juan Wenceslao Hayzus: what it means to feel at home in a place that is not your ... →
Interviews
11. 5. 2023
Storytelling as a form of escape. Interview with Apoorva Satish →
Interviews
5. 12. 2022
I became the uninvited guest of cinema. Interview with Vlastimil Venclík →
Interviews
7. 12. 2021
Bona fide – the ways of Jan Jedlička →
Interviews
11. 6. 2020
A remake that didn’t happen. Interview with Václav Vorlíček about Who Wants to K ... →
Interviews
13. 5. 2020
Franc Milec: I make experimental mainstream →
Interviews
24. 4. 2020
The clever part is beyond our ego. Interview with Karel Vachek →
Interviews
16. 4. 2020
Striving for a historically faithful interpretation: Jeanne Pommeau and Jonáš Ku ... →
Interviews
17. 3. 2020
Miloš Šejn: My work is about excitement, really →
Interviews
12. 3. 2020
Daria Kashcheeva: My ambition was to make a professional film →
Interviews
6. 3. 2020
Martin Blažíček: Amateur film is not a monolith →
Interviews
21. 11. 2019
Ivan Tatíček: The truth lies somewhere else; that’s what we all knew →
Interviews
21. 11. 2019
Diana Cam Van Nguyen: Into animated documentaries I put my personal experience →
Interviews
20. 10. 2019
I like doing things that appear broken. With Petr Marek on video clips, music an ... →
Interviews
15. 10. 2019
Miloš was like a confidant to me… An interview with Hana Brejchová on the film L ... →
Interviews
30. 9. 2019
The brightest place is under the candlestick. Interview with Mark Ther →
Interviews
18. 4. 2019
Memory is just as imperfect as the attempts to understand violence. Interview wi ... →
Interviews
10. 4. 2019
Adéla Babanová: I enjoy not meeting expectations →
Interviews
3. 11. 2016
On gangsters, shattering schemata, and feminine fragility →
Interviews
19. 10. 2016
Lichožrouti is a gangster adventure film →
