Unfinished film.
Arnošt Pospíšil, a physician and political prisoner serving a sentence in the uranium mines, tried to smuggle a medicine for a sick co-prisoner to the working camp. He is caught and sentenced to ten days of severe punishment in solitary confinement. Pospíšil, barefoot and barely dressed, fights hunger and cold. In the cell, he recalls his studies of medicine and his girlfriend Jiřina, frightened that the girl will certainly not wait for him for the ten years of his imprisonment. Even earlier, he had asked her to come and tell him if she would find another man. Pospíšil´s sentence in solitary, however, is unexpectedly halted after five days, for the prisoner has a permitted visit the next day. The only one who may arrive is his girlfriend. In the prisoners´ dormitory, Arnošt can finally get warm and eat his fill. His friends co-prisoners moreover ensure him an unprecedented luxury – to wash in warm water and dress in more decent "visitor´s" clothing. Arnošt then recalls a lecture on the Hippocratic Oath, obliging a physician to protect the sick from blemish and wrong-doing...The next day, a bus takes the prisoners who are receiving visits from the working camp to the town. Arnošt, full of hope, observes the first signs of spring and people living their ordinary but enviable lives. Groups of prisoners are gradually allowed to approach tables at which they can sit with their relatives for a while. Arnošt is the only one whom no one has come to see.
The short story was filmed with an immensely difficult method – the so-called subjective camera, where the camera view is that of the main hero. The leading actor appears on the screen only sporadically; for example, in the reflection in a window. This method was demanding not only for the cameraman, who worked in long, uniterrupted shots, but also for the actors who looked directly "into the hero´s eyes"; i.e. to the camera lens. The film got as far as the stage of the two-track negative, but the production of the composite print was already banned. The film materials are believed lost.
Dubbing Jan Tříska
vězeň Arnošt Pospíšil
zdravotní sestra Jiřina, Pospíšilova milá ve vzpomínkách
vězeň pasák a zloděj José Pěnkava
vězeň pomocný dělník a vrah Vlado Bednár
vězeň sedlák Eda Chmel
lektor na lékařské fakultě ve vzpomínkách
vězeň Varga
dozorce zvaný Zrzek
vězeň kostelník Procházka
vězeň obchodní příručí Franta Epstein
vězeň automechanik Jindra Miškovský
vězeň válečný veterán Ruda Jaroš
medik ve vzpomínce
medik ve vzpomínce
střelmistr v dole
dozorce zvaný Obkročák, zástupce velitele tábora
dozorce
dozorce
dozorce
dozorce
soudce ve vzpomínce
vězeň
vězeň
vězeň
vězeň
vězeň Grivalský
dozorce zvaný Baňour, velitel tábora
vězeň, táborový skladník
nahá žena v okně
vězeň Holeksa
vězeň zvaný Farář
dubl za Josefa Šebka
Milan Klacek, Helena Pokorná, Zdena Štekrová, Ivana Tokošová
Karel Pecka (Jeden obyčejný den – povídka ze sbírky Na co umírají muži)
Karel Kočí, Bohuslav Varhaník, Bohuslav Chloupek
Milan Štěch, František Jaderník
Václav Polák
Irena Hrušková (klapka), Vladimír Souček (fotograf)
Praha, Krušné hory
Hippokratova přísaha
Hippokratova přísaha
Hippocrates’s Oath
povídka
featuretheatrical distribution
partially realised project, lost film
short-story
Czechoslovakia
1970
1969—1970
Barrandov
35mm
1:1,37
black & white
sound
mono
Czech
Czech
without subtitles
Czech