The Night-Time Guest

Summary

Otakar Vávra’s 1961 intimate psychological drama was based on Host (Guest), a play by Ludvík Aškenazy released only a year earlier. It is notable for having acted as an inconspicuous signal that the state-guarded Czechoslovak cinema industry was entering a slightly more liberal phase. The lives of the protagonists – guests of a pub set in a remote village location – are invaded by dark shadows drawn from the past by German merchant Huppert (Rudolf Hrušínský). The jovial foreigner, who openly expresses his Nazi world view, reminds the barkeeper (Jiří Vala) of the SS man who tortured him in a concentration camp during the war. The barkeeper shoots at the guest, but despite the engagement of local policeman (Vladimír Brabec) nothing can be solved… Huppert was one of several villains performed by Rudolf Hrušínský, who quite often took the part of an evil German in the late 1950s and 1960s (consider, for instance, Reportáž psaná na oprátce [Report from the Gallows, 1961], Blbec z Xeenemünde [Idiot from Xeenemünde, 1963] and to an extent Spalovač mrtvol [The Cremator, 1969]).

Synopsis

Note

In 1959, Ludvík Aškenazy wrote a theatre drama The Guest at Night, which was then introduced by the Theatre of Petr Bezruč in Ostrava under the title The Night-Time Guest. In 1960, Aškenazy reworked the drama for the Central Theatre of the Czechoslovak Army [Ústřední divadlo Československé armády]; later the Vinohrady Theatre [Vinohradské divadlo] in Prague and entitled it The Guest. The author at the same time collaborated with Otakar Vávra on the script entitled, again, The Guest at Night.