And the Fifth Rider Is Fear

Country

Czechoslovakia

Copyright

1964

Production year

1964

Premiere

12 February 1965

Runtime

97 min

Category

film

Genre

drama

Typology

featuretheatrical distributionlong

Original title

A pátý jezdec je Strach

Czech title

A pátý jezdec je Strach

English title

And the Fifth Rider Is Fear

Working title

Bez krásy, bez límce

Summary

One of the most treasured works of director Zbyněk Brynych reflects the efforts of filmmakers of the Czechoslovak New Wave to modify and augment the rather one-sided view of the period of Nazi occupation. This intimate expressionistic drama looks at the Protectorate era through the character of a Jewish doctor who tries to grasp his moral imperative in the bleak atmosphere that followed the assassination of the Nazi Reich Protector Reinhard Heydrich. Braun is a modest hero, who finds it within himself to defy powerlessness, humiliation, and even his most dangerous foe – fear... With the possibility of aiding an injured member of the resistance, Braun has an opportunity to take revenge on the hated regime. The rational intellectual in him knows that his chances of survival are minimal. Despite the fact that he is under no illusions about his fate, he strives in inhumane times to remain true to his concept of humanity. However, the instinct for self-preservation and fear in all its possible forms corrupt the character of those who could help him – his neighbours from a Žižkov tenement... In the drama A pátý jezdec je Strach (And the Fifth Rider is Fear), Zbyněk Brynych returned to the subject of Nazi occupation. Inspired by Hana Bělohradská’s literary script, along with his previous film Transport z ráje (A Convoy Leading Paradise, 1962) he combines characters in a hopeless situation with sensitive work in black and white. Brynych embraced the subject of Nazism in a more spectacular form in the drama Já, spravedlnost (I, Justice, 1967) when he tackled the theme of revenge against Nazi barbarism. One of the constants of the director’s work in the 1960s was the importance he placed on casting. This was also the case in this film in which Miroslav Macháček gives the performance of his life. Olga Scheinpflugová appears as a music teacher in her last film role. The director’s favourite collaborators also contribute to the impact of this film, namely the composer Jiří Sternwald and the cinematographer Jan Kališ.

Synopsis

It is the year 1941 in Prague. The city has been invaded by the German occupying forces. A Jewish doctor, senior lecturer Armin Braun, is not allowed to run his medical practice and works as a warehouseman in a synagogue in which the property confiscated in Jewish apartments are stored. Every night, Braun returns to his scant flat in the garret of a block of flats. His neighbours avoid him from fear. One night, however, Braun is asked for help by his neighbour Šidlák, who has hidden a severely wounded man in his apartment - a man called Pánek, a member of the anti-Fascist resistance movement. Braun first refuses to treat the wounded man, but eventually agrees to operate on him under primitive conditions and removes the bullet from his body. But the patient needs morphine. To get it, Braun meets his former colleague Wiener, a doctor working in a mental home, in a bar and is appalled that some people are trying to enjoy themselves even in the time of a mortal danger. Eventually, Braun succeeds in getting the medicine from the hospital. That, however, does not put his suffering to an end. The Gestapo shows up, beating on the gate of the house. Braun carries Pánek into his apartment. The neighbours, the informer Fanta among them, sense the presence of the hunted man in the house, but the Gestapo does not find anybody. The next day, Šidlák removes the resistance fighter to a safe place. But Fanta has reported on Braun in the meantime, and the Gestapo returns. The desperate doctor confesses that he has treated an unknown man, and then swallows a vial of poison. The Gestapo then teaches the neighbours a lesson, forcing them to pass by the corpse of the brave doctor lying on the staircase.

Cast

Miroslav Macháček

docent Armin Braun

Olga Scheinpflugová

učitelka hudby

Jiří Adamíra

JUDr. Karel Veselý, majitel domu

Zdenka Procházková

Marta, manželka Veselého

Josef Vinklář

Vlastimil Fanta, velitel Civilní obrany

Ilja Prachař

řezník Šidlák

Jana Prachařová

Věra, Šidlákova manželka

Tomáš Hádl

Honzík, syn Veselých

Eva Svobodová

domovnice Kratochvílová

Karel Nováček

postřelený odbojář Pánek

Čestmír Řanda

MUDr. Emil Wiener

Slávka Budínová

Helena, Wienerová žena

Iva Janžurová

služka Anička

Jana Břežková

dívka v baru

Otto Sattler

hudebník

Ivo Gübel

primář Růžička

Lída Matoušková

ošetřovatelka

Zdeněk Hodr

Roubíček

Eva Rohanová

tanečnice

Karel Šmíd

šílenec

Jiří Pleskot

policista v civilu

Mirko Musil

policista v civilu

Roman Hemala

policista v civilu

Milan Mach

policista v civilu

František Sadílek

hráč biliáru

J. Koval

hráč biliáru

J. Kronus

hráč biliáru

J. Sadílek

hráč biliáru

E. Kohn

vrátný

M. Žára

tanečník

Crew and creators

Second Unit Director

Ota Koval

Based on

Hana Bělohradská (Bez krásy, bez límce – novela)

Director of Photography

Jan Kališ

Second Unit Photography

Alexandr Rašilov

Camera Operator

Rudolf Holan

Production Designer

Milan Nejedlý

Assistent Production Designer

Jiří Hlupý

Set Designer

Karel Kočí, Bohuslav Varhaník, Jaroslava Vilímková

Costume Designer

Ester Krumbachová

Film Editor

Miroslav Hájek

Assistant Film Editor

Vilemína Binterová

Sound Designer

Miloš Alster, Bohumír Brunclík (zvukové efekty)

Production Manager

Gustav Rohan

Unit Production Manager

Dana Dudová, Petr Čapek

Unit Production Manager

Josef Protiva, Jan Syrový

Consultant

JUDr. Rudolf Iltis , MUDr. Bohuslav Hodek, MUDr. Miroslav Plzák

Cooperation

Ladislava Boudová (klapka), Miroslav Pešan (fotograf)

Music

Music Composed by

Jiří Sternwald

Music Performed by

FISYO

Songs

Ta naše jedenáctka válí

Song Composer Josef Kumok

Vltavo, Vltavo

Song Composer Karel Hašler
Writer of Lyrics Karel Hašler
Singer sbor

Production info

Original Title

A pátý jezdec je Strach

Czech Title

A pátý jezdec je Strach

English Title

And the Fifth Rider Is Fear

Working Title

Bez krásy, bez límce

Category

film

Typology

featuretheatrical distribution

Genre

drama

Origin country

Czechoslovakia

Copyright

1964

Production Year

1964

Production specifications

literary Screenplay approved 18 September 1963
technical Screenplay approved 10 January 1964
start of filming 20 February 1964
end of filming 30 June 1964
projection approval 21 September 1964
withdrawal from distribution 1 September 1974

Premiere

premiere 29 January 1965 /unsuitable for youths/ (kina 64 U Hradeb /2 týdny/ a Blaník /2 týdny od 19. 2./, Praha)
premiere 12 February 1965 /unsuitable for youths/ (celostátní)

Studio

Barrandov

Creative Group

Tvůrčí skupina Šebor – Bor, Vladimír Bor (vedoucí dramaturg tvůrčí skupiny), Jiří Šebor (vedoucí výroby tvůrčí skupiny)

Technical info

Duration typology

feature film

Duration in minutes

97 min

Original length in metres

2 753 meters

Distribution carrier

16mm, 35mm

Aspect ratio

1:1,66, 1:2,35

Colour

black & white

Sound

sound

Sound system/format

mono

Versions

Czech

Dialogue languages

Czech

Subtitles languages

without subtitles

Opening/End credits languages

Czech

Awards

Vítěz

Event: Cena Svazu finských filmových kritiků

1969
Helsinky / Finland

Vítěz

Festival: 1. mezinárodní filmový festival Alghero

1968
Alghero, Sardinie / Italy

Vítěz

Event: Umělecká soutěž k 20. výročí osvobození Československa

1965
Praha / Czechoslovakia
Zbyněk Brynych

Vítěz

Festival: 7. mezinárodní filmový festival Mar del Plata

1965
Mar del Plata / Argentina

Vítěz

Festival: 7. mezinárodní filmový festival Mar del Plata

1965
Mar del Plata / Argentina

Vítěz

Festival: 3. mezinárodní festival odbojových filmů Cuneo

1965
Cuneo / Italy

Vítěz

Festival: 7. mezinárodní filmový festival Mar del Plata

1965
Mar del Plata / Argentina